{"id":12987,"date":"2016-12-07T11:05:03","date_gmt":"2016-12-07T14:05:03","guid":{"rendered":"http:\/\/diversosafins.com.br\/diversos\/?p=12987"},"modified":"2016-12-18T12:18:54","modified_gmt":"2016-12-18T15:18:54","slug":"janela-poetica-i-50","status":"publish","type":"post","link":"https:\/\/diversosafins.com.br\/diversos\/janela-poetica-i-50\/","title":{"rendered":"Janela Po\u00e9tica I"},"content":{"rendered":"<p><em>Jo\u00e3o Gabriel Pontes<\/em><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_12992\" aria-describedby=\"caption-attachment-12992\" style=\"width: 386px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/diversosafins.com.br\/diversos\/wp-content\/uploads\/2016\/12\/Re-Interna.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-12992 size-full\" src=\"https:\/\/diversosafins.com.br\/diversos\/wp-content\/uploads\/2016\/12\/Re-Interna.jpg\" width=\"386\" height=\"500\" srcset=\"https:\/\/diversosafins.com.br\/diversos\/wp-content\/uploads\/2016\/12\/Re-Interna.jpg 386w, https:\/\/diversosafins.com.br\/diversos\/wp-content\/uploads\/2016\/12\/Re-Interna-232x300.jpg 232w\" sizes=\"auto, (max-width: 386px) 100vw, 386px\" \/><\/a><figcaption id=\"caption-attachment-12992\" class=\"wp-caption-text\">Desenho: Re<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p><strong>entre certos instantes de brahms e uma cloaca, III<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>O curumim se pendura no avental de Hera<br \/>\npara tentar escalar suas tran\u00e7as graciosas.<br \/>\nE s\u00e3o fundadas acr\u00f3poles a partir dos inef\u00e1veis<br \/>\ndesejos humanos,<br \/>\nas ca\u00e7arolas de alum\u00ednio<br \/>\nsobre bocas de drag\u00f5es furiosos.<br \/>\nO contorno da rom\u00e3 se desfaz<br \/>\nem linhas,<br \/>\ne o curumim consegue, afinal,<br \/>\nvislumbrar os paralelos que fatiam<br \/>\na superf\u00edcie do planeta.<br \/>\nComo \u00e9 f\u00e1cil se encantar pelos Tr\u00f3picos!<br \/>\nGira-se a torneira<br \/>\ne a \u00e1gua molda o espa\u00e7o,<br \/>\ne a \u00e1gua molda as ideias &amp; os sentidos<br \/>\ndo curumim.<br \/>\nO ralo da pia bebe vastos a\u00e7udes de prova\u00e7\u00f5es<br \/>\ne desaparece.<br \/>\nA carne pl\u00e1stica das dobras do sif\u00e3o<br \/>\nrecobre o t\u00fanel de aros de uma tranqueia<br \/>\nesganada.<\/p>\n<p><span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.<\/span> \u201cInc\u00eandio em mares de \u00e1gua disfar\u00e7ado!<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>Rio de neve em fogo convertido!\u201d<\/p>\n<p>Hera senta<br \/>\no curumim \u00e0 mesa, serve<br \/>\no almo\u00e7o e reza<br \/>\npela alma do marido,<br \/>\nque deu o couro \u00e0s varas<br \/>\nfaz poucas semanas.<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>Sim:<br \/>\ntodos respondemos pelas escolhas<br \/>\ndaqueles que pisaram estas campanhas<br \/>\nest\u00e9reis antes de n\u00f3s.<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>Sim:<br \/>\nnossos escritos s\u00e3o med\u00edocres<br \/>\nreprodu\u00e7\u00f5es dos palimpsestos que abarrotam<br \/>\na biblioteca suspensa pela sobreposi\u00e7\u00e3o<br \/>\ndos anos.<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>Sim:<br \/>\neste cheiro de serragem molhada,<br \/>\nque tanto me incomoda as narinas<br \/>\nsens\u00edveis ao fracasso, tamb\u00e9m atordoar\u00e1<br \/>\nos belos deuses do futuro.<\/p>\n<p>E o curumim marcha entre trov\u00f5es.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>***<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Cop\u00e9rnico<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Com o intuito de estancar a sede irresist\u00edvel<br \/>\nque me p\u00f4s acordado<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.<\/span>no momento exato do alvorecer,<br \/>\nrecorro ao cat\u00e1logo das variedades<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span>anarquicamente dispostas<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;<\/span>nos compartimentos da geladeira.<\/p>\n<p>Deparo-me com uma jarra de vidro<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span>quase vazia.<\/p>\n<p>No fundo desse crisol ileg\u00edtimo,<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;.<\/span>a emular o resultado<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;.<\/span>de ensaios qu\u00edmicos frustrados,<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;.<\/span>o resto do suco de laranja<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;.<\/span>que eu mesmo havia preparado<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;.<\/span>antes de dormir.<\/p>\n<p>Uma quantidade \u00ednfima do l\u00edquido<br \/>\nem cuja acidez est\u00e3o concentradas<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span>todas as minhas perversas manias.<\/p>\n<p><span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.<\/span>Ralho comigo.<\/p>\n<p>Por que n\u00e3o bebera tudo de uma s\u00f3 vez?<br \/>\nPor que guardara o \u00faltimo gole<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span>para depois?<\/p>\n<p>Preocupo-me somente<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span>com as sobras,<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span>com os res\u00edduos,<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span>com os resqu\u00edcios.<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span>A abund\u00e2ncia das horas, deixo-a<\/p>\n<p>aos que ainda esperam muito da vida,<br \/>\naos que anseiam por algum cl\u00edmax<br \/>\nou por alguma absolvi\u00e7\u00e3o,<br \/>\naos que n\u00e3o puderam estar presentes<br \/>\nno vel\u00f3rio de Ivan Ilitch.<\/p>\n<p>Meus inimigos dizem que n\u00e3o tenho ambi\u00e7\u00f5es.<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;.<\/span>E eles t\u00eam raz\u00e3o.<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;<\/span> (Eu n\u00e3o quero ter raz\u00e3o.)<\/p>\n<p>Prefiro o resto do suco de laranja<br \/>\n\u00e0 revolu\u00e7\u00e3o da laranjeira,<\/p>\n<p><span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>esp\u00e9cie \u00edmpar em um besti\u00e1rio<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>de leviandades,<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>utopia petulante a servir-se<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>de uma filigrana lexical<\/p>\n<p>que ora descreve<br \/>\na mec\u00e2nica dos corpos celestes,<br \/>\nora ret\u00e9m<br \/>\no anelo dos corpos hist\u00f3ricos<br \/>\npor mudan\u00e7as dr\u00e1sticas.<\/p>\n<p>Mal sabem os fil\u00f3logos ocidentais que,<\/p>\n<p>em termos ontol\u00f3gicos,<\/p>\n<p>n\u00e3o h\u00e1 diferen\u00e7a<br \/>\nentre a lente arguta do telesc\u00f3pio<br \/>\n&amp; a l\u00e2mina implac\u00e1vel da guilhotina.<\/p>\n<p><span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span>A tradu\u00e7\u00e3o da liturgia<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span>na diagonal deve ser feita<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span>porque gra\u00e7a n\u00e3o h\u00e1<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span>em seguir da ordem can\u00f4nica<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span>a tradi\u00e7\u00e3o (da liturgia).<\/p>\n<p><span style=\"color: #ffffff;\">&#8230;&#8230;..<\/span>Se a guerra &amp; a poesia<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;..<\/span>constituem, por excel\u00eancia,<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;..<\/span>os espa\u00e7os de nega\u00e7\u00e3o<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;..<\/span>do tempo e dos arqu\u00e9tipos<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;..<\/span>partidos que veneramos,<\/p>\n<p><span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>os restos j\u00e1 s\u00e3o, por si, revolucion\u00e1rios.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<br \/>\n***<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<br \/>\n<strong>Apocal\u00edptica<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>O sil\u00eancio da madrugada &amp; minhas confusas<br \/>\nvaidades inundam a sala de jantar.<br \/>\nSobre a mesa de tampo redondo, o copo<br \/>\nfarto de u\u00edsque.<br \/>\nApenas o odor do malte j\u00e1 me embriaga.<\/p>\n<p>Meus pensamentos se transfiguram<br \/>\ne voc\u00ea surge diante de minhas vistas<br \/>\ncansadas.<br \/>\nAs pernas como colunas de m\u00e1rmore,<br \/>\nos bra\u00e7os em um abra\u00e7o de fogo,<br \/>\ndas ancas, larga ba\u00eda,<br \/>\n&amp; a boca convidativa<br \/>\n&amp; os olhos que me desafiam, esf\u00edngicos.<br \/>\nSua voz, suave melodia de realejo.<br \/>\nSeu perfume, o escr\u00fapulo dos oceanos.<\/p>\n<p>Ou\u00e7o as trombetas de mil anjos ca\u00eddos<br \/>\ne voc\u00ea chove de fora para dentro.<br \/>\nQuimera bamba. Falsa musa.<br \/>\nSua beleza me leva a descumprir todas<br \/>\nas promessas que fiz a meus fantasmas.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<br \/>\n***<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Rel\u00f3gios<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h6 style=\"text-align: right;\"><em>All those times I was bored<\/em><br \/>\n<em>out of my mind.<\/em><\/h6>\n<h6 style=\"text-align: right;\">Margaret Atwood, Bored<\/h6>\n<p>&nbsp;<\/p>\n<p>Em cima do piano, eis um rel\u00f3gio. A cada rota\u00e7\u00e3o,<\/p>\n<p><span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>seus ponteiros<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.<\/span>me massacram.<\/p>\n<p><span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;<\/span>Algu\u00e9m me fala sobre doen\u00e7as<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;<\/span>e sobre consultas m\u00e9dicas,<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;<\/span>sobre planos de sa\u00fade<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;<\/span>e sobre seguros de vida.<\/p>\n<p>Algu\u00e9m me fala sobre os pre\u00e7os dos rem\u00e9dios,<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span>que aumentaram por causa dos altos \u00edndices<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>de infla\u00e7\u00e3o.<\/p>\n<p><span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.<\/span>Algu\u00e9m me fala sobre meus amigos;<br \/>\ne, ao que parece, quase todos j\u00e1 honraram<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;.<\/span>o famigerado axioma b\u00edblico: ao p\u00f3 retornaram.<\/p>\n<p><span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span>Algu\u00e9m me fala sobre reencarna\u00e7\u00e3o.<\/p>\n<p><span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;<\/span>E salienta que, de acordo com determinadas<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span> [religi\u00f5es,<br \/>\no fen\u00f4meno do crescimento vegetativo a n\u00edvel mundial<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span>explica-se<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span>com base na transmigra\u00e7\u00e3o dos esp\u00edritos.<\/p>\n<p><span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;<\/span>Confesso: com o fim do espa\u00e7o p\u00fablico,<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;<\/span>a ideia de um amplo c\u00e2mbio interplanet\u00e1rio de almas<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;<\/span>(versus a intimidade de minha casa)<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.<\/span>me tira o sono.<\/p>\n<p><span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>Prefiro ser enganado pelas manchetes<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>e pelos an\u00fancios publicit\u00e1rios<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>de meu pr\u00f3prio planeta.<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>Prefiro os mortos<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>de meu pr\u00f3prio planeta.<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>Prefiro tamb\u00e9m os rel\u00f3gios cru\u00e9is<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>de meu pr\u00f3prio planeta,<\/p>\n<p>muito embora suas engrenagens,<br \/>\ng\u00e1veas de presas an\u00f4nimas,<br \/>\nainda conspirem por minha capitula\u00e7\u00e3o,<br \/>\nindependentemente de qualquer teoria fabulosa<br \/>\nacerca do al\u00e9m-t\u00famulo.<\/p>\n<p><span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>A arquitetura da tabacaria<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>\u00e9 rude, quase vulgar,<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>mas preciso reconhecer: t\u00ea-la,<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>em sua frouxa metaf\u00edsica, p\u00f5e<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>minhas cicatrizes em estado<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>de gra\u00e7a.<\/p>\n<p><span style=\"color: #ffffff;\">&#8230;&#8230;..<\/span>Olho para mim.<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;..<\/span>Olho para meus mortos.<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;..<\/span>Olho para o rel\u00f3gio em cima do piano.<br \/>\n<span style=\"color: #ffffff;\">&#8230;&#8230;..<\/span>Que t\u00e9dio.<\/p>\n<p>&nbsp;<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><strong><em>Jo\u00e3o Gabriel Madeira Pontes<\/em><\/strong><em> \u00e9 um poeta carioca nascido em 1992. Seu livro de estreia, &#8220;Indiscri\u00e7\u00e3o&#8221;, foi lan\u00e7ado este ano pela Editora Kazu\u00e1.<\/em><\/p>\n<\/blockquote>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A impressionante lucidez po\u00e9tica de Jo\u00e3o Gabriel Pontes<\/p>\n","protected":false},"author":2,"featured_media":12988,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3205,16,9],"tags":[107,3214,159],"class_list":["post-12987","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-115a-leva","category-destaques","category-janelas-poeticas","tag-janela-poetica","tag-joao-gabriel-pontes","tag-poemas"],"_links":{"self":[{"href":"https:\/\/diversosafins.com.br\/diversos\/wp-json\/wp\/v2\/posts\/12987","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diversosafins.com.br\/diversos\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/diversosafins.com.br\/diversos\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/diversosafins.com.br\/diversos\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/diversosafins.com.br\/diversos\/wp-json\/wp\/v2\/comments?post=12987"}],"version-history":[{"count":5,"href":"https:\/\/diversosafins.com.br\/diversos\/wp-json\/wp\/v2\/posts\/12987\/revisions"}],"predecessor-version":[{"id":12995,"href":"https:\/\/diversosafins.com.br\/diversos\/wp-json\/wp\/v2\/posts\/12987\/revisions\/12995"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diversosafins.com.br\/diversos\/wp-json\/wp\/v2\/media\/12988"}],"wp:attachment":[{"href":"https:\/\/diversosafins.com.br\/diversos\/wp-json\/wp\/v2\/media?parent=12987"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/diversosafins.com.br\/diversos\/wp-json\/wp\/v2\/categories?post=12987"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/diversosafins.com.br\/diversos\/wp-json\/wp\/v2\/tags?post=12987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}